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Luisi Myhyv Nua (~??? anos) em Interviu () Nesta cena, Luisi Myhyv tinha ~ ??? anos. Pics. 1. 2. 3. 4. 5. 6. 7. 8. Clips. * A idade da celebridade durante. Luisi Myhyv nua e vídeos sexy! Descubra mais fotos nuas, vídeos e fitas de sexo da Luisi Myhyv no maior catálogo online Luisi Myhyv Nua em Interviu. Interviu cu violonistul Mircea Dumitrescu Brahms Violinkoncert – Leonidas Kavakos – DRSO – Fabio Luisi – Duration: mugge62 51,

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It is this phenomenon that identifies a person as a great conductor, it is something very esoteric. The conductor has to create this, and to do it you have to prepare, to study the musical text, because this is where the music lies.

Luisi Myhyv nua. Fotos e Vídeos Nua, fita de sexo < ANCENSORED

I lived in New York for two and half years, so it remains in my heart. Take a second to support Alan Neilson on Patreon! The conductor is like them.

The other conductor who I think of as a god is Carlos Kleiber. No it is something more — it is the magic!

Interviú desnuda a la ganadora de Gran Hermano 14, Susana Molina

Now I am conducting a lot of opera, and I am Italian and so I have a deep knowledge of the Italian language, and the sound of the language, the history of the language, so I feel good in this repertoire. I demand precision from myself and the orchestra. This opera is a masterpiece, and this is something I honestly believe, and not just because I am the conductor.

But at the end of the symphony I knew I could do it, because the soprano was crying.

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The voice, however, it is the most interesting instrument in the world, it is the most natural instrument, it is the most distinctive, it is our instrument, it is also the instrument of conductors.

He is not a monster or semi-divine. Symphonic music is fantastic, but it is more technical.

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It was the magic. Fabio Luisi, of course, is my mentor, he is more than a guru. There are many different elements involved. Opera must be open to the public, it should go to the hospitals and prisons and schools.

He is the polar star, because his approach to music is completely orgiastic, completely Dionysian, and it is how I came to realize that eroticism exists in music.

Of course I am still a not an important conductor, but I am one of the young intervui who conducts a lot, and with some success. The audiences pays and expects emotions, not just a cold performance.

Another element is magic; the best conductors in the world are the ones who succeed in creating magic during a performance. It is very erotic, you possess each other, the orchestra possesses you, you ingerviu the orchestra and singers. So I would like to start with Ihterviu, the Italian bel canto, in which there are still many jewels to be discovered.

The orchestration also takes into account the human voice. It is where you can work with the best musicians and singers, and it will allow me to compare myself to the best. The voice is our primitive instrument, which everyone in the world has, and it is spiritual for me.

By returning there, I will close the circle. He is the complete opposite. I am tough, very severe, especially with myself and the orchestra. For 15 seconds there was silence, just the soprano crying, it was very moving.

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Interview: Sesto Quatrini On His Conducting Style & Career Ambitions

Alberto Tirola and Fabio Luisi brought me here. I am devoted to the festival. I needed to become a conductor myself. My grandmother knows the entire repertoire and never studied music.

I have high expectations and I am attempting to achieve perfection. It is very difficult to sing, and not a lot of people can sing this repertoire, but his way of treating the vocal material is perfect, like Puccini I would say, both sound so natural, which is not always the case in bel canto.

So it kuisi important, especially for a young conductor, to prepare correctly, and to study a lot, because there are many things to do.

Bernstein is the Dionysian part, Kleiber is the Apollonian part. We had succeeded together, in creating something magical. I came to a point in which I realized that I was not listening to my work, someone else was interpreting my music, and I wanted it done differently. For sure, both situations are difficult and can be scary.

When writing, he took into account the vocal possibilities of the singers, so there are no risks for them. It means lot to me to be here, so I told my manager, if Martina Franca proposes something, even if there is a more financially lucrative offer somewhere else, I will accept Martina Franca because Martina Franca is my home.