Read about the legend that inspired Debussy’s prelude “La Cathédrale engloutie ” or “The Sunken Cathedral”. Preludios para Piano – No La catedral sumergida official lyrics by Claude Debussy.
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Arranger Pierre Gouin – Contact. Tell a friend or remind yourself about this product. Edition Peters Review Guidelines Explain exactly why you liked or disliked the product. April Learn how and when to remove this template message. Another version says that Dahut steals the key to let her secret lover in to the city during the night, mistakenly flooding the city.
It is characteristic of Debussy in its form, harmony, and content. Easily share your music lists with friends, students, and the world. These file s are part of the Werner Icking Music Collection. Cambridge University Press, Inexact parallelism allows the quality of the harmonic intervals to vary throughout the line, even if the interval sizes are identical, while exact parallelism the sizes and qualities remain the same as the line progresses.
Performer Pages Paavali Jumppanen piano. LMC issued shortly after this score is a critical edition by James Briscoe on which copyright is claimed.
La Catedral Sumergida
Views Read Edit View history. This mode holds until measure 7, beginning a short section using the same mode now in C.
Leave it blank if you wish to appear as “Anonymous”. The nearly debussy form of intro-ABA-outro helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend.
Within this climactic section, measuresDebussy briefly catedrla to F major, but finishes again in C major. Hear It For Yourself!
The Story of Debussy’s “The Sunken Cathedral”
Contents 1 Performances 1. Apparently a re-engraving of the Durand score above. The Thematic Process in Music.
Inexact parallelism can give a sense of tonality, while exact parallelism can dispel the sense of tonality as pitch content cannot be analyzed diatonically in a single key. Debussj agreed to do so, but devoted father as he was, he tried to save his daughter. After the beginning section, Debussy gently brings the cathedral out of the water by modulating to B major, shaping the melody in a wave-like fashion, and including important narrative instructions in measure After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars.
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Piano Trio String Quartet Syrinx for flute Six sonatas for various instruments Imaginative editing for pianists seeking a fresh look at this masterpiece in this centenary year. Sorry but your review could not be submitted, please verify the form and try again. Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn’t. Make a wish list for gifts, suggest standard repertoire, let students know which books to buy, boast about pieces you’ve mastered: Consider writing about your experience and musical tastes.
Various arrangements and transcriptions of the piece exist. The next section is a subset of A, noted as c in the timeline. Creative Commons Attribution-ShareAlike 4. Debussy quite often named his pieces with the exact image that he was composing about, like La MerDes pas sur la neigeor Jardins sous la pluie.
There are many different versions of the legend.
La cathédrale engloutie – Wikipedia
It is a complete exploration of chordal sound that encompasses the entire range of the piano, and that includes one of Debussy’s signature chords a major tonic triad with added 2nd and 6th scale degrees.